A Movie-ing Experience

I have truly not meant to not blog, but real life caught me in a frenzy. Hospital stuff, nursing home stuff, trying to write through it all.

Decided to go for some cinematherapy a week or so ago and visited Blockbuster with a friend. Didn't end up getting anything. Was looking for something along the lines of The Last Picture Show or Suddenly, Last Summer No such luck. Lots of teen comedies, horror flicks, etc. Maybe I was looking in the wrong place, or maybe it was just a bad day. I would've settled for yet another viewing of The Lords of Flatbush

I love that movie. Love, love, love it. Love it so much I hunted down a tie in novel, and boy did the novel stink, but I loved visiting the characters and their world again. Love the scenes on the roof with Stallone and the pigeons. Love Henry Winkler's proto-Fonz (and still to this day think Happy Days would have done better, at least for me, sticking with the more dramatic focus of the first season; Chuck Cunningham, come home. All is forgiven.) Love the way Perry King guesses wrongly that Susan Blakely's character has "purple eyes." Love the diner booth and the kerfluffle over the clerk showing Stallone's fiancee a too-expensive ring. Love the misplaced apostrophe in the lettering on the jackets. I have stayed up late, risen early, and moved schedules around to watch it. Definetly a movie to own, and I will cherish it (when I find a copy) as much as I do my beloved copy of the Robin Wright Penn version of Moll Flanders.

DH is working the dinner shift tonight, so I will have ample time to pop in the DVD of Four Weddings and a Funeral (he is allergic to Hugh Grant movies, unless Hugh Grant dies in the war, and then it is automatically a good movie.)Yes, the funeral is one of my favorite scenes, as I am all about the angst. I like it that way. Would I want Four Funerals and a Wedding? Hmm, that might be a book idea for the future, but I'll take the movie as is. Though Love, Actually, is a close runner-up for favorite British comedy if only for the Bill Nighy factor. But I own Weddings. Though I have to share a squee over finding out his partner is actress Diana Quick, who played Julia in another all time favorite of mine, Brideshead Revisited.

No surprise that being a romance writer, I like love stories, and emphasis on characters. If it's got a British Isles setting and/or is set in a historical era, all the better. Remains of the Day is about my all time favorite. Though it doesn't have an HEA ending, and would have been completely ruined if it did (don't stone me!) it had a right ending. The last scene, of the now-middle aged lovers sitting on a bench, watching the street lights come on and talking about what remains of the day (and their lives, in subtext) tugs at my heart.

Not that I would leave a historical romance h/h sitting on the bench at the end of the book, but in the middle? Well, sure. But then they find a way to make it work. That would be something for sure.

Not that I want to leave

Me again.

After being immersed in the good bad and ugly of real life, yesterday was the first real work day at writing since things began this current turn, and I have to say I surpirsed myself with the flying fingers. So The Wild Rover is on once more. Feels good to be back.

Also have to brag about my two newest releases, the romantic historical short stories "Tommy" and "Queen of the Ocean" now available from Eaglesong Books.

Love my covers, and the quotes from fellow e-author Gwynn Morgan absolutely floored me. I am very, very pleased indeed.

Whee, covers!

Short stories coming soon from EagleSong Books:

-- in which a banker's widow in 1900 England discovers it's never to late to go in search of the love of a lifetime.

and

-- in which a 16th century Cornishwoman has one chance to break free of her family's grisly legacy and seize her heart's desire...the dashing Mateo.

I loved writing both of these stories, and am very pleased they have a chance to see daylight once more. Yes, "Queen of the Ocean" is the same story as "Frances, Queen of the Ocean" that appeared in A Hint of Seduction ezine. The original title wouldn't fit on an ebook cover, so we scaled it down.

Along with the novel work, I'm also writing a third story for EagleSong, "The Hired Husband," this one set in Wisconsin and New York in 1852. Widowed on the frontier, Mariah, a city girl at heart, advertises for a new husband to take her back to her hometown of Germantown, NY. German immigrant Kurt needs a wife and he is planning to go back east -- all the way back to Germany. What better wife could he find than one who wants to live in a German town?

Stay tuned for details.

Still dealing with family health issues, but hope to have things in that regard settled soon.

One bright spot -- I've sold two short stories to Eaglesong Books. "Tommy" (subtitled Quest for a Lost Love) is a turn of the century tale of an English widow who decides it's not too late for second chances. "Queen of the Ocean" takes place in 16th century Cornwall, and follows the adventure of Frances, a wrecker's daughter, and Mateo, the half-Spanish sailor. Both stories are very special to me (and have great covers, too) and I am thrilled they will be available once more. More details as I get them.

Due to a downturn in my dad's health, I'm a little scarcer than normal, but still hope to get some posting done in the midst of everything else.

This file was on the hard drive of the puter that got virusified, under the filename "manifesto"

• I like beautiful heroines. Not that there is only one kind of beautiful, but I want her to have impact.
• I like blond heroes. Or red-haired. Or bald. I honestly do not have a preferred hair color, but please, for the love of creamed corn, if hair is "dark," say dark what.
• I like stories that play out over years instead of weeks or months.
• I like stories that sweep across continents.
• I like it when beloved secondary characters die in the course of the plot.
• But not the dog, cat or horse.
• I want someone’s heart to break.
• I like long separations.
• I don’t mind if the hero or heroine has other spouses after meeting their true love, as long as they wind up together in the end.
• I like heroines who disguise themselves as male, and I like when they have to work to keep from being found out.
• I like it when they finally are.
• I like it when they transition back to being girly again.
• I like when hero and heroine clash.
• I want the highs to be worth the lows.
• I want my history to be an integral part of the romance.
• I want it to do that without turning into a textbook.
• I like it when the mores of the time affect how the hero and heroine deal with their attraction to each other.
• I want books to be real; sympathetic characters do, feel, and say not so nice things. They can have moments of being selfish, mean, fearful, dense, etc, and still be a hero or heroine.
• I want to break the box, take the risks, do something new.

Do you agree with any of these, or do they push your hot buttons?