Romance writer Anna C. Bowling on writing and reading romance, the search for the perfect nail polish and other pretty things.
Showing posts with label oops. Show all posts
Showing posts with label oops. Show all posts
Tuesday, January 15, 2013
Inadvertently Awesome
Today's title comes from David-the-barista, the picture from Second Life. My original intent was to use my own photos for the post pictures this week, possibly as prompts, but that would require a camera.
Several years ago, DH surprised me on Christmas morning with a digital camera. This Christmas, our first in our new home, on a gorgeously snowy white Christmas morning, I took same camera out to get some pictures while waiting for everyone to get up (I'm the early riser in our family.) Since I love the cold, love the snow, love exploring our neighborhood, this was like a special present to myself. On with the leopard print rubber boots, on with scarf and gloves and coat and off I go.
I had the route in mind immediately. Leave house, head toward park. Since it's early and a major holiday, I'm reasonably well assured that I can get some shots of the virgin snow, especially in the park, especially park benches (I have a thing for empty park benches.) Since the best way to get to the park is along a gorgeous historic street lined with turn of the century buildings, many of them bedecked with holiday decor, I could not have asked for a better picture taking opportunity. Snow covered wrought iron. Snow covered stone steps. Snow covered bare branches on trees reaching up to the blue-grey sky that implied it wasn't yet done with the white stuff. I happily snapped pictures until the guilt over neglecting family told me it was time to turn back.
Which was exactly when the camera started acting funny. I'd snapped a few different shots of the historic promenade in the park (built in 1803, originally for military drills and parades, later the spot to see and be seen) as well as benches, sky, plaques on and doorways of buildings with historic ties as well, and then...the drag began. Something was...different...about how long it took the camera to tell me it was done doing whatever it is cameras do for that shot. I begged it. One more for mommy, okay? We're going home, really. Then you can take pictures of family members opening presents wrapped in brown paper with colored ribbons, all nice and inside and...nothing.
"Nothing doing," the camera seemed to be saying to me. "No more pictures for the crazy writer person who takes me out in the cold when all the other cameras are inside, watching adorable tots tear into the latest in hand-knitted sweaters and pink plastic minivans outfitted with laser cannons." I took it home, cradled in the warmth of my coat, telling myself it was probably the batteries. I'd try new ones.
I tried new ones. I tried newer ones. I let Housemate Linda have a look at it in case she might see some error I'd made and set things aright. Once more, nothing doing. Camera now sits on a bookshelf in my office, next to yet another set of batteries. I am surprisingly okay with this.
It's not a disaster. Either the camera can be repaired, or it cannot. In either event, the memory card is in there, and I can stick it into my printer (once that's up and running) and all those pictures will still be there. I can still have them, even if not right now. They're safe. They're waiting. They're still mine. Maybe I'll open them on a hot day in July and have myself Christmas morning all over again.
The inadvertantly awesome part? When I sat down to write this entry, I had no idea what I was going to say, and lookee here - I wrote a story. It has a protagonist (moi) and a beginning (plan to take pictures) and a middle (the picture.) and an end (camera on the shelf, dead-at-least-for-now.) It has a black moment (dead camera!) and a resolution (will try memory card in something else.) Some dialogue, and I'd have to call it extremely rough, but gussy it up some and there could be something.
What mundane experience of yours do you think could inadvertantly turn into the seeds of an awesome story?
Labels:
art,
Christmas,
inspiration,
oops,
writing
Sunday, May 27, 2012
Sunday Rambles: Of Missing Comments, Nick Hornby and Matters of Voice
First, comment issue should be fixed now. Though I have read about a bug with Blogger, I'm going to take responsibility with this one; I'd had my text and background colors too similar to see a difference. In short, the link was there, but invisible, which is not terribly helpful. Many thanks to those who clued me into the glitch.
To prove that I do actually read books, this weekend, I finished my a relisten (audiobook) of Juliet, Naked, by Nick Hornby. I first discovered Nick Hornby through the movie, About a Boy, which led me to track down the book, which led me to A Long Way Down and How To Be Good and his first YA novel, Slam. I have yet to read High Fidelity or his memoir, Fever Pitch, and while I'm aware of the US movie versions of both, I'm going to pass and hold out for the books.
I have my reasons. While there are Americans in some Hornby novels - JJ in A Long Way Down, Tucker from Juliet, Naked - Nick Hornby's voice is such an integral part of these stories that to see things transposed to a different continent and culture would be too much of a paradigm shift. Possibly along the lines of Gilbert Gottfried reading Fifty Shades of Grey. Which ties in with reason two, that, although I do love movies and TV, one of the very few things I like about the summer season is that the dearth of new programming does allow for more reading time.
Nick Hornby is not a romance novelist, though there are some memorable romances in some of his books, and Juliet, Naked, fits that bill. Not a romance, but a love story, and one which covers different sorts of love. Romantic love, successful and not, parental love, love of work (yes, really) and what makes me want to hug the author the hardest, love of fandom. No surprise, as his first work, Fever Pitch, is about his devotion to the Arsenal football team, and while the object of the fannish affection can change, fandom is fandom, and Nick Hornby gets it.
In Juliet, Naked, Duncan's devotion to reclusive former singer-songwriter Tucker Crow eclipses and eventually fractures his devotion to his longtime girlfriend, Annie, whose exception to this leads to her finding her own voice and the man behind the myth. Anyone who's been involved in internet fandom will understand the trolls, the bulletin boards, the fanon and that moment when what 'everybody knows' isn't what really is.
Given that one of my musical interests right now is tracking down acoustic versions of favorite songs, I'd love to be able to play the fictional albums, Juliet (in the story, an iconic 80's rock album) and Juliet, Naked, the acoustic demo version that fractures the fandom and the lives of our protagonists and the artist himself, and judge for myself which version I liked better. My best guess: apples and oranges. Both have their own merits, and when one, as Annie does in the book, goes straight to the source, the truth is somewhere in between. As a writer, I get that.
So. Rambling here, but on a Sunday afternoon, I'm allowed. What about you, faithful readers? Have you read Nick Hornby? What writers' voices ring true to you? Leave a comment, because now you can.
To prove that I do actually read books, this weekend, I finished my a relisten (audiobook) of Juliet, Naked, by Nick Hornby. I first discovered Nick Hornby through the movie, About a Boy, which led me to track down the book, which led me to A Long Way Down and How To Be Good and his first YA novel, Slam. I have yet to read High Fidelity or his memoir, Fever Pitch, and while I'm aware of the US movie versions of both, I'm going to pass and hold out for the books.
I have my reasons. While there are Americans in some Hornby novels - JJ in A Long Way Down, Tucker from Juliet, Naked - Nick Hornby's voice is such an integral part of these stories that to see things transposed to a different continent and culture would be too much of a paradigm shift. Possibly along the lines of Gilbert Gottfried reading Fifty Shades of Grey. Which ties in with reason two, that, although I do love movies and TV, one of the very few things I like about the summer season is that the dearth of new programming does allow for more reading time.
Nick Hornby is not a romance novelist, though there are some memorable romances in some of his books, and Juliet, Naked, fits that bill. Not a romance, but a love story, and one which covers different sorts of love. Romantic love, successful and not, parental love, love of work (yes, really) and what makes me want to hug the author the hardest, love of fandom. No surprise, as his first work, Fever Pitch, is about his devotion to the Arsenal football team, and while the object of the fannish affection can change, fandom is fandom, and Nick Hornby gets it.
In Juliet, Naked, Duncan's devotion to reclusive former singer-songwriter Tucker Crow eclipses and eventually fractures his devotion to his longtime girlfriend, Annie, whose exception to this leads to her finding her own voice and the man behind the myth. Anyone who's been involved in internet fandom will understand the trolls, the bulletin boards, the fanon and that moment when what 'everybody knows' isn't what really is.
Given that one of my musical interests right now is tracking down acoustic versions of favorite songs, I'd love to be able to play the fictional albums, Juliet (in the story, an iconic 80's rock album) and Juliet, Naked, the acoustic demo version that fractures the fandom and the lives of our protagonists and the artist himself, and judge for myself which version I liked better. My best guess: apples and oranges. Both have their own merits, and when one, as Annie does in the book, goes straight to the source, the truth is somewhere in between. As a writer, I get that.
So. Rambling here, but on a Sunday afternoon, I'm allowed. What about you, faithful readers? Have you read Nick Hornby? What writers' voices ring true to you? Leave a comment, because now you can.
Labels:
fandom,
oops,
possibly pointless rambling,
reading,
voice
Friday, January 20, 2012
Combination post: Happy Dance Friday #80 and Saturday at the Movies #79
see more Daily Squee
Random sleepy puppy, as Monweek wasn't quite done with me yet, though Saturday brought a wondrous repast with friends and Sunday's NECRWA meeting put a spring back in my writing step. Which is why you get last week's Saturday post along with today's happy dance post, because it irks me when the numbers don't line up for these entries.
Speaking of springs and steps, I don't think any happy dance could top this four legged fellow's:
Though my DH would likely urge me to post this next clip if he were looking over my shoulder, so I'll stick it up on his behalf.
No clip yet, but I'm very eager to see how Copper turns out. 1860s New York, Irish immgirant neighborhood and a police officer who wants to do right, but finds that a complicated task? Pop the corn, I'm there, and save all talking for the commercial breaks. I'll pretend John Amsterdam is in the office down the hall, because, well, he could have been, and I still miss that show.
In the can't-believe-I-Missed-It category, Smash. I love stories set in the theater world, love the audition process, and let's take a look at the cast - Debra Messing, Anjelica Huston, and Katharine McPhee, who made an impression on me back in her American Idol days. Definitely need to catch the premiere and remember to record this one. Extra points because in a show set on Broadway, there's got to be some dancing.
Also missed out on the premiere of The Fades (this is why there is On Demand, right?) I'm not as much interested in the undead/ghost aspect as I am the psychological/social issues - twins, social awkwardness, insider/outsider dynamics. What do you think, faithful readers?
All current on this front, and tomorrow, Alcatraz....
Labels:
Happy Dance Friday,
music,
oops,
Saturday at the Movies,
TV
Friday, June 10, 2011
Happy Dance Friday #51 - SYTYCD Vegas and Top 20
Ahem. Computer issues prevented me from getting the weekend's posts up, but let's try that again, shall we?
I love Vegas week. All the drama, all those different personalities and backgrounds stuck in a pressure cooker and heated to critical level, dancers pushed to their limits and asked to do things they may never have done before. Can a b-boy jive? Can a ballroom champion conquer Broadway? What is everybody going to do with the contemporary round? No pressure, only Travis Wall choreography this time.
For me, Vegas week is a chance to see how the dancers perform under intense pressure, but the pressure gets to peek-through-my-fingers-horror-movie-style when it comes down to that final walk when the dancers must face the judges and find out whether or not they've made it. To be that close and get cut, gaaaaah. Another area where the writer can identify with the dancer. Not right for us at this time; yeah, I've had that.
It was indeed (or indubitably) close but no cigar for several favorites, including Chyna Smith, Chase Thomas, Annie Gratton, Brian Henry, and Tatiana Mallory. I'll be hoping to see all of them again next year.
Writers also can identify with the "we want you" moment, and I was very happy to see Sasha Mallory, Jess Leprotto, Jordan Casanova, Melanie Moore, Wadi Jones and Robert Taylor Jr. among the chosen. I think we can work with this bunch.
Looked a little hairy for ballroom representation, as only two ballroom dancers made it to the green mile. Ballroom Gent Whom We Didn't See Much of And Whose Name I Think Is Something Like Lenny handled his cut with professionalism and class and I hope we see him next year. That cut did, however allow us to see Iveta (world ten dance champion, ahem) perform with Surprise Guest Pasha.
Can he be on every week? Well, maybe when we reach the top ten and the all stars come back.
Until then, we have a fine group for our top twenty.
The finger chewing may now commence, because we have to lose two of them next week.
Labels:
Happy Dance Friday,
inspiration,
oops,
SYTYCD
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